This is a portion of a panel from the Music In Film Summit 2010. Obviously this case study example, Despicable Me, is out of the budget range of almost all independent filmmakers, but it does give an idea of all the behind the scenes things that are necessary to select and create music for a film.

Unfortunately, we don’t see the shot with and without the music, but listening to the discussion gives a broad overview of how composers and music supervisors approach storytelling aspect. I always think of scoring film as sort of like taking a big gigantic AUDIO HIGHLIGHTER through the script which I use in multiple colors to draw attention and manipulate the emotions of the audience.

This is mostly about the relationship aspect of making a film work with building a good creative team which includes Director, Producer, Composer and Music Supervisor.

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